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An L.A. Moment
About a week ago, I got a ride after work from a friend so I could make a meeting in Santa Monica that night. We've known each other a long time, so our conversations tend to wander from what's so-and-so doing to shared rants. While dodging traffic on the 10, we got to talking about comediennes. It started with Carol Burnett (who was featured on American Masters this month) and ended on Tracey Ullman, when he said:
"What about Tracey Ulllman? What's she doing these days?" He said that with the indignation of someone who felt they'd been denied many good laughs.
I confessed I had no idea.
But I do now. In one of those odd L.A. moments, on Saturday the DH and I went to a yarn sale at a rather shi-shi yarnery on the Westside. We'd been enticed by the 20-40% off they'd advertised. It turned out that since their prices are higher to begin with, it wasn't a great savings.
However, as I was standing in line to purchase a knitting spool, I realized that the well-dressed woman in front of me was none other than Tracey Ullman. She was talking to the woman behind the register about sleeves.
When I got home, I hit Google. It turns out she's become a big knitter. In fact, she and (I'm almost positive) the woman behind the register wrote a book.
At any rate, next time my friend asks me, "What's Tracey Ullman doing these days?" I'm going to have the answer.
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The play was a "movie for radio" (Eric Idle's words). It was a read
through as if they were recording for radio. It was a 'low-brow comedy about high-brow society', it was a hilarious romp through the early 1900s with laughter, music, a little murder, and a talking piano.
I loved the show, it was hilarious and obvious that the cast was
enjoying it as much as the audience was.
Tracey played multiple roles (as did most of the cast) from a
lower-class woman who "provides therapy for men" to an upper class Aunt who is seeing a therapist who uses vibrating "implements" to cure uptight women.
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HEATHER: What do you think of people like Tracey Ullman (below) mimicking you?Read the rest of the interview here.
TOYAH: In the beginning I used to hate it, I wanted smash her face in but in the end all they’re doing is complementing you. And I can look at… I saw a playback of her mimicking me only about a year ago and I actually enjoyed it but when she first did it I was really angry but that was 'cos I was young and stupid.
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For the most part, however, an eclectic array for both guests and films are in the offering this month. My personal favorite might be the playwright Charles Busch on November 8th, who picked a variety of overlooked leading lady performances which include Norma Shearer in Escape, Joan Crawford in A Woman’s Face, and Ida Lupino in The Hard Way. Although I’ve seen all three films, it might be worth tuning in just to see what Busch has to say. Crime fiction author James Ellroy has a bunch of cool noirs to share on the 13th, and I found it interesting that Matt Groening selected the wonderful 1941 Warner Bros. melodrama Blues in the Night to show on his night (11/14). Tracey Ullman’s offerings on the 17th include a few lesser-known British films and the eccentric Peter Sellers vehicle The World of Henry Orient (in which he plays a famous pianist hounded by two persistent teenage girls), which makes me love her all the more. Finally I also have to laud opera’s Renee Fleming for doing a night of classical music-themed romances on the 19th, and Mark Mothersbaugh for including the groovy combo of Fellini’s Juliet of the Spirits and the cheese-o-rama Hot Rods to Hell on his night of the 29th. Guess I’ll have to set the TiVo for overtime.
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"She's like celebrating people," adds Tracey Ullman, who insists that even at Burnett's most hideous, as in the Eunice character from the skit that would later become the Vicki Lawrence series "Mama's Family," there's a charitable treatment of the person she's playing.
"Carol wasn't imitating people to be mean about them or to put them down," says the actress Tracey Ullman. "She was celebrating people."
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